From January 25-February 1, the Hollywood Theater will give horror fans reasons to brave the cold when they present a selection of new and beloved films for its Janu-Scary event. The selections include a previously unreleased cut of Suspiria, a Norwegian horror comedy and a special double feature from Dread Central Presents. See film descriptions and schedule below:
Dread Central Presents: Zombiology & Turbo Kid
the Hollywood Theater joins with the horror blog and entertainment company Dread Central to present a double feature of Zombiology and Turbo Kid.
When a monster from a popular animated show appears and starts a zombie outbreak, it’s up to eccentric duo Lung and Chi-Yeung to stand up and fight in this action-packed horror selection from Hong Kong.
Turbo Kid (2015)
In a post-apocalyptic future, a young solitary scavenger obsessed with comic books must face his fears and become a reluctant hero when he meets a mysterious girl.
January 26-February 1
Mom and Dad (2017)
Nicolas Cage and Selma Blair star in this pitch-black horror -comedy about a worldwide mass hysteria where, for 24 brutal hours, parents turn violently against their own children.
January 26 & 30
Trench 11 (2017)
As World War One reaches its bloody climax, a team of Canadian, British and American troops investigate a top-secret underground German base, only to find a highly contagious biological weapon that turns its victims into mindless killers.
The Gate (1987)
A young Stephen Dorff stars in this cult horror classic about a suburban kid who accidentally opens a demonic portal in his backyard. Screens on 35mm.
The Hollywood Theater will screen a newly discovered, uncut 35mm Italian print of Suspiria, courtesy of the Chicago Cinema Society. Widely hailed as the most shocking and hallucinatory horror movie in history, director Dario Argento‘s masterpiece stars Jessica Harper as a young American ballet student who arrives at a prestigious European dance academy and is confronted by a series of bizarre and horrific deaths.
January 28 & 31
The Midnight Man (2016)
Alex is a typical teenage girl who lives with her sick grandmother, Anna (Lin Shaye). While searching through the attic, Alex finds directions to a game, which played properly, will awaken “The Midnight Man,” an evil being who will make your worst nightmare come true. At first, Alex and her friends think the game is harmless fun. It is—until The Midnight Man comes to play for real. When Dr. Goodberry (horror legend Robert Englund) comes to the house to check on Anna, he can sense The Midnight Man’s presence, and warns the kids that when The Midnight Man comes to play, he plays to win.
January 29 & February 1
Vidar the Vampire (2017)
Vidar Haarr is a 33-year-old, sexually frustrated bachelor farmer who leads a Christian, monotonous, and strenuous working life on his mother’s farmstead in the Western outskirts of Norway. In a desperate attempt to break free from routine, Vidar prays to a higher power to grant him a life without boundaries. Unfortunately, his prayers are heard, and Vidar wakes up one evening as the Prince of Darkness in sin city, Stavanger.
Tickets for individual films are available for purchase on the Hollywood Theater website or at the door. Guests can also purchase a Janu-Scary festival pass to see five films for $30 (Dread Central Presents: Zombiology & Turbo Kid and Suspiria are not included with the pass).
The Hollywood Theater will finish off the month with Janu-Scary, a selection of five independent horror films from the US and around the world. See details and schedule below:
The Autopsy of Jane Doe
In the latest from director Andre Ovredal (Trollhunter), coroner Tommy Tilden (Brian Cox) and his son Austin (Emile Hirsch) run a family-owned morgue and crematorium in Virginia. When the local Sheriff brings in a dead Jane Doe it seems like just another open-and-shut case. But as the autopsy proceeds, Tommy and Austin discover that her insides have been scarred, charred and dismembered — seemingly the victim of a horrific yet mysterious ritualistic torture. As they piece together these gruesome discoveries, an unnatural force takes hold of the crematorium. While a violent storm rages above ground, it seems the real horrors lie on the inside.
The Autopsy of Jane Doe screens at 7 p.m. from January 31–February 2.
The Eyes of My Mother
Set in a secluded farmhouse and shot in crisp black and white, writer/director Nicolas Pesce’s feature debut follows a mother, formerly a surgeon in Portugal, as she teaches her daughter, Francisca, to understand anatomy and be unfazed by death. One afternoon, a mysterious visitor horrifyingly shatters the idyll of Francisca’s family life, deeply traumatizing the young girl, but also awakening some unique curiosities. Though she clings to her increasingly reticent father, Francisca’s loneliness and scarred nature converge years later when her longing to connect with the world around her takes on a distinctly dark form.
The Eyes of My Mother screens at 7 p.m. from January 27–January 30.
Under the Shadow
Tehran, 1988: As the Iran-Iraq War rumbles into its eighth year, a mother and daughter are slowly torn apart by the bombing campaigns on the city coupled with the country’s bloody revolution. As they struggle to stay together amidst these terrors, a mysterious evil stalks through their apartment.
Under the Shadow screens at 7 p.m. from January 29–February 1.
In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it’s too late.
The Void screens at 7 p.m. on January 28.
We Are the Flesh
A young brother and sister, roaming an apocalyptic city, take refuge in the dilapidated lair of a strange hermit. He puts them to work building a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in this maddening womb-like world under his malign influence, they find themselves sinking into the realms of dark and forbidden behavior. A visionary and bizarre slice of Mexican arthouse cinema, We Are The Flesh is an extraordinary and unsettling film experience, a sexually charged and nightmarish journey into an otherworldly dimension of carnal desire and excess, as well as a powerful allegory on the corrupting power of human desire.
We Are the Flesh screens at 9 p.m. from January 27–February 2.
Tickets are available for purchase online or at the door. Guests can also buy a $30 festival pass for all five films.