Tagged: Hollywood Theater

Halloween Returns To The Hollywood Theater With 10/31 Premiere

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On February 9, the Hollywood Theater, in collaboration with The Indie Horror Drive-In Film Festival, will present the Pittsburgh premiere of 10/31, a horror anthology film with local connections.

A Halloween treat bag of all the things that go bump in the night. From masked killers to scarecrows, witches, and tricksters, there’s a scare for everyone in this anthology of horror and the macabre. The film is the directorial debut for Rocky Gray, the former drummer of the band Evanescence, and includes a vignette from Justin M. Seaman of the Pittsburgh-produced horror indie, The Barn.

The 10/31 premiere event begins at 7 p.m. Tickets cost $10 at the door.

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Hollywood Theater Offers Chills And Thrills With Janu-Scary Horror Film Festival

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From January 25-February 1, the Hollywood Theater will give horror fans reasons to brave the cold when they present a selection of new and beloved films for its Janu-Scary event. The selections include a previously unreleased cut of Suspiria, a Norwegian horror comedy and a special double feature from Dread Central Presents. See film descriptions and schedule below:

January 25

9 p.m.

Dread Central Presents: Zombiology & Turbo Kid 

the Hollywood Theater joins with the horror blog and entertainment company Dread Central to present a double feature of Zombiology and Turbo Kid.

Zombiology (2017)

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When a monster from a popular animated show appears and starts a zombie outbreak, it’s up to eccentric duo Lung and Chi-Yeung to stand up and fight in this action-packed horror selection from Hong Kong.

Turbo Kid (2015)

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In a post-apocalyptic future, a young solitary scavenger obsessed with comic books must face his fears and become a reluctant hero when he meets a mysterious girl.

January 26-February 1

Mom and Dad (2017)

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Nicolas Cage and Selma Blair star in this pitch-black horror -comedy about a worldwide mass hysteria where, for 24 brutal hours, parents turn violently against their own children.

January 26 & 30

Trench 11 (2017)

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As World War One reaches its bloody climax, a team of Canadian, British and American troops investigate a top-secret underground German base, only to find a highly contagious biological weapon that turns its victims into mindless killers.

January 27

2 p.m.

The Gate (1987)

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A young Stephen Dorff stars in this cult horror classic about a suburban kid who accidentally opens a demonic portal in his backyard. Screens on 35mm.

9 p.m.

Suspiria (1977)

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The Hollywood Theater will screen a newly discovered, uncut 35mm Italian print of Suspiria, courtesy of the Chicago Cinema Society. Widely hailed as the most shocking and hallucinatory horror movie in history, director Dario Argento‘s masterpiece stars Jessica Harper as a young American ballet student who arrives at a prestigious European dance academy and is confronted by a series of bizarre and horrific deaths.

January 28 & 31

The Midnight Man (2016)

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Alex is a typical teenage girl who lives with her sick grandmother, Anna (Lin Shaye). While searching through the attic, Alex finds directions to a game, which played properly, will awaken “The Midnight Man,” an evil being who will make your worst nightmare come true. At first, Alex and her friends think the game is harmless fun. It is—until The Midnight Man comes to play for real. When Dr. Goodberry (horror legend Robert Englund) comes to the house to check on Anna, he can sense The Midnight Man’s presence, and warns the kids that when The Midnight Man comes to play, he plays to win.

January 29 & February 1

Vidar the Vampire (2017)

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Vidar Haarr is a 33-year-old, sexually frustrated bachelor farmer who leads a Christian, monotonous, and strenuous working life on his mother’s farmstead in the Western outskirts of Norway. In a desperate attempt to break free from routine, Vidar prays to a higher power to grant him a life without boundaries. Unfortunately, his prayers are heard, and Vidar wakes up one evening as the Prince of Darkness in sin city, Stavanger.

Tickets for individual films are available for purchase on the Hollywood Theater website or at the door. Guests can also purchase a Janu-Scary festival pass to see five films for $30 (Dread Central Presents: Zombiology & Turbo Kid and Suspiria are not included with the pass).

Hollywood Theater Gets Drawn Into Annual Animation Show of Shows

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From January 19-25, the Hollywood Theater will present the 19th annual Animation Show of Shows, a program that brings new and innovative short films to audiences at animation studios, schools and, since 2015, theaters around the world. Over the years, 36 of the films showcased went on to receive Academy Award nominations, with 10 films winning the Oscar.

The current touring program includes 16 animated shorts from around the world that have a “special resonance, presenting compelling ideas about our place in society and how we fit into the world.”

“Because animation is such a natural medium for dealing with abstract ideas and existential concerns, the Animation Show of Shows has always included a number of thoughtful and engaging films,” states founder and curator Ron Diamond in a press release. “However, more than in previous years, I believe that this year’s program really offers contemporary animation that expresses deeply felt issues in our own country and around the world.”

Included is Niki Lindroth von Bahr‘s Grand Prix-winning The Burden, a film that explores the tribulations, hopes, and dreams of a group of night-shift employees, and David OReilly’s Everything, a procedural, AI-driven simulation inspired by the late philosopher Alan Watts. The show also features selections from Pixar and Disney veterans, a 50-year-old restored short, and other treats from filmmakers working in hand-drawn, stop motion, and 3D animation.

See a list of films below, along with synopses and images courtesy of Animation Show of Shows:

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Can You Do It

Can You Do It (Quentin Baillieux, France): Joyfully mixing incongruous elements from the highbrow world of horse racing and the “mean” urban landscape, this beautifully designed music video explodes preconceptions of race and class as cultures gracefully collide on the streets and freeways of Los Angeles. The infectious track by L.A. artist Charles X, whose music combines strains of hip-hop, soul, and jazz, is perfectly realized in the stylized blend of abstraction and representation, languidness and kineticism, in this evocative nocturnal fantasy.

Tiny Big (Lia Bertels, Belgium): A series of seemingly unrelated vignettes expressed through simple black-and-white line drawings, punctuated with occasional surprising bursts of color. Underscored by a soundtrack featuring the sounds of nature – wind, waves, crickets – the film eschews narrative, challenging viewers to draw their own conclusions about the significance of ritualized actions in a world that’s both hauntingly familiar and decidedly strange.

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Next Door

Next Door (Pete Docter, U.S.): An over-imaginative young girl drives her middle-aged neighbor crazy with her noisy adventures until a shared enthusiasm brings them together. Directed by two-time Oscar-winner Pete Doctor when he was a student at Cal Arts, Next Door is a wonderful evocation of the power of imagination and the possibility of finding common ground.

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The Alan Dimension

The Alan Dimension (Jac Clinch, UK): Sometimes having special powers beyond those of most mortals doesn’t work out all that well (especially for your long-suffering wife), as this very funny tongue-in-cheek fable amply demonstrates. Blessed – or cursed – with the gift of precognition, the eponymous Alan discovers that being “the next step in cognitive evolution” can wreak havoc with your domestic life – and lead to some hard choices.

Beautiful Like Elsewhere (Elise Simard, Canada): As much about light, color, texture, and sound as it is about “story,” Beautiful Like Elsewhere evokes a mysterious dreamscape of shimmering tableaux that seem to exist just on the edge of consciousness. Populated by human and nonhuman organisms, classical images and pure form, this allusive world, which may be a vision of the afterlife, hints at a deeper level of awareness and meanings beyond words.

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Hangman

Hangman (Paul Julian and Les Goldman, U.S.):  Originally produced in 1964 and restored by the Animation Show of Shows, Hangman is an adaptation of a poem by Maurice Ogden about a town that allows its citizens to be executed one by one. With its universal themes of persecution, injustice and personal responsibility, this powerful film speaks to all eras and nations and may be seen to have particular relevance in our own time.

The Battle of San Romano (Georges Schwizgebel, Switzerland): Georges Schwizgebel’s “deconstruction” of a painting by Paolo Uccello (1397-1475) is a meditative and hypnotic exploration of the visual elements that comprise Uccello’s masterpiece, which itself is renowned for the skill with which the artist brings order to the chaos of armed conflict. Yet, with its deliberative pacing and haunting score, the film is more than simply a masterful exegesis of color, form, and space, evoking deeply felt emotions about the nature of conflict and the horrors of war.

Gokurosama

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Gokurosama (Clémentine Frère, Aurore Gal, Yukiko Meignien, Anna Mertz, Robin Migliorelli, and Romain Salvini, France): Channeling the spirit of Charlie Chaplin – or perhaps Jacques Tati – this very funny tale of a series of unfortunate events in a Japanese mall displays both an impressive attention to detail and great comic timing. Even if you’re not a fan of chiropractic, grown men dressed as fuzzy animals, automated conveyances, garish décor, and/or robotic cleaning devices, Gokurosama will show you how, when you put all of these together, it spells highly entertaining animated mayhem.

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Dear Basketball

Dear Basketball (Glen Keane, U.S.): Directed and animated by Disney veteran Glen Keane and scored by legendary composer John Williams, this moving short film brilliantly brings to life a poem written by Los Angeles Lakers superstar Kobe Bryant on the occasion of his imminent retirement from the sport he loves. Chronicling Kobe’s journey from a young boy shooting baskets with rolled-up socks to his arrival at the pinnacle of basketball celebrity, Dear Basketball pays tribute to the ideal of pursuing one’s dream, as well as having the wisdom to know when it’s time to move on to the next challenge.

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Island

Island (Max Mörtl and Robert Löbel, Germany): A host of fanciful flora, fauna, and geological formations go about their daily lives in this engaging and highly imaginative foray into the wilds of a strange and colorful world. Accompanied by hissing, wheezing, whistling and tweeting, the action takes on increasing urgency, ending in a surprising climax that’s as natural as it is unexpected

Unsatisfying (Parallel Studio, France): Unsatisfying is about those frustrating, annoying, disappointing little things of everyday life, those little “not such a big deal, but still…” moments that make you cringe. It was inspired by those “most satisfying” videos, which can be found all over the internet, that relate a series of enjoyable moments to contemplate. The slightly retro design and warm reassuring colors, which seem to come from the end of a nice summer day, contrast with the unpleasant situations and emphasize the frustration of the endings.

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My Burden

My Burden (Niki Lindroth von Bahr, Sweden): If Ingmar Bergman had made stop-motion animations with singing, dancing animals, they might have looked a little like this. Set in a small commercial park, this melancholy and mordantly funny film (which could have been titled “Existential Angst – The Musical”) explores the tribulations, hopes, and dreams of the denizens of this downscale microcosm of Western society. At once bitingly satirical and genuinely moving, “The Burden” is a beautifully realized paean to despair.

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Les Abeilles Domestiques

Les Abeilles Domestiques (Alexanne Desrosiers, Canada): Usually it’s not a good sign when a film opens with death walking in the door; however, in this wry short, the appearance of the Grim Reaper (who exits again as quickly as he arrived) is just one of several intersecting stories that unfold within the hive-like confines of the film’s tranquil universe. Deftly playing with narrative structure – while challenging the viewer to keep up – Les Abeilles Domestiques is a masterful exercise in “deconstruction” that’s both extremely clever and highly entertaining.

Our Wonderful Nature: The Common Chameleon (Tomer Eshed, Germany): The common chameleon is equipped with double-sided vision, a remarkable camouflage ability, and a tongue that can stretch out twice the length of its body. Despite all of its advantages, it has yet to develop appropriate countermeasures against its biggest weakness. This cautionary tale reminds us yet again that sometimes there can be too much of a good thing, especially if our powers of discernment leave something to be desired.

Casino (Steven Woloshen, Canada): This jazzy, impressionistic depiction of the iconography and energy of a gambling casino (a favorite destination of director Steven Woloshen’s late father, to whom the work is dedicated) is all the more impressive for having been created in Woloshen’s signature style of drawing directly onto the film. With Oscar Peterson’s “Something Coming” as its upbeat soundtrack, the film is a breathlessly kinetic and visually dazzling representative of the possibilities of nontraditional animation techniques.

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Everything

Everything (David OReilly, U.S): Based on the work of philosopher Alan Watts, who was instrumental in popularizing Eastern religion in the West, this brilliantly conceived and executed short explores the interconnectedness of the universe and the multiplicity of perspectives that underlie reality. Like Watts himself, the film is both playful and profound, and its unique iconography – from somersaulting bears to interstellar flora – allows it to convey weighty ideas with lightness and lucidity.

Tickets to the Animation Show of Shows are available for purchase on the Hollywood Theater website or at the door.

Best Limited Releases Coming To Pittsburgh: December 2017 Edition

The Disaster Artist – Manor Theatre

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With The Disaster Artist, James Franco transforms the tragicomic true-story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau—an artist whose passion was as sincere as his methods were questionable—into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds. Based on Greg Sestero’s best-selling tell-all about the making of Tommy’s cult-classic disasterpiece The RoomThe Disaster Artist is a hilarious and welcome reminder that there is more than one way to become a legend—and no limit to what you can achieve when you have absolutely no idea what you’re doing. The Disaster Artist opens on December 1 at the Manor Theatre.

Thelma – Harris Theater

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Thelma, a shy young student, has just left her religious family in a small town on the west coast of Norway to study at a university in Oslo. While at the library one day, she experiences a violent, unexpected seizure. Soon after, she finds herself intensely drawn toward Anja, a beautiful young student who reciprocates Thelma’s powerful attraction. As the semester continues, Thelma becomes increasingly overwhelmed by her intense feelings for Anja – feelings she doesn’t dare acknowledge, even to herself – while at the same time experiencing more extreme seizures. As it becomes clearer that the seizures are a symptom of inexplicable, often dangerous, supernatural abilities, Thelma is confronted with tragic secrets of her past, and the terrifying implications of her powers. Thelma screens from December 1-7 at the Harris Theater.

Wait for Your Laugh – Hollywood Theater

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Rose Marie’s rise to fame began at the age of four with her own NBC radio show. As she grew, she went from the stages of Vaudeville to the bright lights of Vegas, to some of the most iconic television shows. But it’s not just credits like The Dick Van Dyke Show and Hollywood Squares that make her life so memorable. Characters like Al Capone, Bugsy Siegel, and Jerry Lewis all played a part in this woman’s story of fame, love, tragedy, and success. Her 90-year career is also the greatest untold story in show business. Wait for Your Laugh screens from December 1-7 at the Hollywood Theater.

Hollywood Theater Has A Killer Time With ‘Slaughter Drive’

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Slaughter Drive

On October 26, the Hollywood Theater will present Slaughter Drive, a slasher comedy from the Pittsburgh-based production company BPO Films.

When failed filmmaker Doug Stevenson leaves his video camera in the local park overnight, he accidentally records something horrific. To top it off, it might have something to do with his new neighbors that moved into his quiet suburban neighborhood. With the help of his bumbling teacher buddies, Doug goes on a wild ride to save himself, his friends, his ex-wife, and the entire neighborhood. Directed by Ben Dietels and starring Steve Rudzinski, David Ogrodowski, Jack Davis, and Vincent Bombara.

Slaughter Drive screens at 7:30 p.m. Guests are encouraged to wear their best Halloween costume for a contest to win a BPO DVD prize pack. Tickets cost $5 at the door.

Hollywood Theater Resurrects Killer For ‘Victor Crowley’ Pittsburgh Premiere

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Victor Crowley

On October 9, local horror fans will get a special treat when the Hollywood Theater presents the Pittsburgh premiere of Victor Crowley, the secretly produced reboot to the popular Hatchet slasher franchise.

Starring Hatchet mainstays Kane Hodder (Friday the 13th 7 – X) and Parry Shen (Better Luck Tomorrow), the new film from writer/director Adam Green takes you on a horrifying journey into the haunted, blood-drenched bayou. In 2007, 49 people were brutally torn to pieces in Louisiana’s Honey Island Swamp. Over the past decade, lone survivor Andrew Yong’s claims that local legend Victor Crowley was responsible for the horrific massacre have been met with great controversy, but when a twist of fate puts him back at the scene of the tragedy, Crowley is mistakenly resurrected and Yong must face the bloodthirsty ghost from his past.  [Synopsis courtesy of Drafthouse Films]

Victor Crowley screens at 8 p.m. Doors open at 7 p.m. The event includes a special appearance by Adam Green. Tickets cost $15, $12 for Hollywood members.

Steel City Massacre: Pittsburgh Does Halloween 2017

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Creepshow

It’s that time of year again, and Pittsburgh has tons of movie events to get you in the Halloween spirit. Scare yourself all month long with festive horror screenings, parties, and festivals.

The Indie Horror Drive-In Film Festival – Riverside Drive-In Theatre

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Family Possessions

On October 6-7, the Riverside Drive-In Theatre will present a creepy crop of short and feature-length independent works for the second annual Indie Horror Drive-In Film Festival. See schedule below:

October 6:

7:35 p.m. – The Blood Shed

8 p.m. – Close Calls 

10:30 p.m. – Pool Party Massacre

12 a.m. – 3 Dead Trick or Treaters

October 7:

7:35 – 8 p.m. – The Stylist and Knob Goblins

8 p.m. – Circus of the Dead

10 p.m. – Family Possessions

11:45 p.m. – Shorts Block with John The Carpenter, Born Again, and Gwilliam 

12:20 a.m. – Space Babes from Outer Space

Admission to the Indie Horror Drive-In Film Festival costs $8 per night.

Haunted Oaks Film Festival – Oaks Theater

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Blue Mountain Motel: The Innkeeper

On October 7, the Oaks Theater will showcase 13 locally made short films during the Haunted Oaks Film Festival. Selections include Blue Mountain Motel: The Innkeeper by Nathan King and Seth Smiley and the 2016 48 Hour Horror Film Project film When Madness Creeps In. The event also includes a cocktail hour where guests enjoy $5 and mingle with cast, crew and fellow horror lovers, a directors Q&A, and a chance to cast your ballot for the Audience Award. Films begin at 7:30 p.m. Tickets cost $10.

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Manor At Midnight – Manor Theatre

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The freaks come out at night when the Manor Theatre presents their latest Midnight at the Manor movie lineup. The schedule includes David Cronenberg’s The Fly (October 7), the horror comedy What We Do In The Shadows (October 14), a restored print of Night Of The Living Dead (October 20 and 21), and The Shining (October 28). All shows will start at midnight, with the exception of Night Of The Living Dead. Please note that there will be two Night Of The Living Dead shows each evening at 10:45 p.m. and 11:45 p.m.

Row House Cinema: Midnight Edition – Row House Cinema

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Row House Cinema will present three horror hits for their Midnight Edition series. Selections include the 2014 indie Goodnight Mommy (October 7), the J-horror classic Ringu (October 21), and the Guillermo del Toro film The Devil’s Backbone (October 28). Tickets to all shows cost $10.

AMC Waterfront 22: Classic Movie Nights – AMC Loews Waterfront 22

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AMC Loews Waterfront 22 will inject some horror into its Classic Movie Nights series with a few spooky selections. On October 6, it’s the 1975 cult musical Rocky Horror Picture Show, followed by the witchy romantic comedy Practical Magic on October 11, Friday the 13th on Friday, October 13 (of course), The Lost Boys on October 18, Tim Burton’s Beetlejuice on October 25, and The Crow on October 30. Tickets cost $5. VIP seating is also available.

Friday the 13th Movie and Beer Tasting – Oaks Theater

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On October 12, enjoy a bloody good time when the Oaks Theater pairs beer with a screening of the slasher classic Friday the 13th. The 1980 film pits a group of teen camp counselors against a killer with a ruthless vendetta. Event begins at 7:30 p.m. Tickets cost $8.

The Old Dark House – Hollywood Theater

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From October 13-15, the Hollywood Theater resurrects a lost horror gem when it shows the new 4K restoration of The Old Dark House (1932). Bride of Frankenstein director James Whale added a comic spin to his adaptation of the 1927 J. B. Priestley novel Benighted, which follows a group of lost travelers who take refuge in a gloomy, secluded mansion. The atmospheric thriller features a post-Frankenstein Boris Karloff, Melvin Douglas, Charles Laughton, Raymond Massey and Gloria Stuart of Titanic fame. Tickets cost $5-8.

A Celebration of George Romero – Various venues

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Pittsburgh will come together to honor a late horror master when Row House Cinema and company present A Celebration of George Romero. From October 13-19, the week-long tribute will feature screenings and programming presented by several local businesses. Events include Romero movies at Row House Cinema, the “resurrection” of the Pittsburgh zombie store House of the Dead, a mini Zombie School with The ScareHouse, a #RomeroWasHere Scavenger Hunt at Romero film locations throughout Western Pennsylvania, and a horror-themed trivia night at the Row House Cinema sister store, Bierport. The Douglas Education Center will also present makeup and special effects demonstrations by George A. Romero’s Filmmaking Program and Tom Savini’s Special Makeup and Effects Program. Event dates and times are available at the Row House Cinema website.

Living Dead Weekend – Living Dead Museum

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The Living Dead Museum will once again host a weekend of zombie-themed fun for the whole family in Evans City, PA. From October 20-22, enjoy numerous activities in EDCO Park, including discussion panels and meetups with Living Dead cast and crew members, a pet walk and costume contest, parties, vendors, and more. The event will also honor the late George Romero with a double-feature screening of his films Day of the Dead and Knightriders at the Strand TheaterTicket prices vary.

Row House of Horrors – Row House Cinema

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From October 20-31, Row House Cinema scares up more great movies for Row House of Horrors. Selections include the wacky sequel Evil Dead 2, the 1982 American horror classic Poltergeist, the 1993 comedy Hocus Pocus, and director Dario Argento’s 1977 work Suspiria.

Hollywood Theater Halloween Party with The Lost Boys – Hollywood Theater

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On October 21, vamp it up for the annual Hollywood Theater Halloween Party. The event features a vampire theme in honor of the evening’s screening of The Lost Boys, the 1987 film about two brothers who discover their town is a haven for blood-sucking teens. Don your best vampire look and compete in the costume contest, which includes a category for the best 1980’s-inspired vampire. Transform yourself into a Reagan-era monster at the 1980’s hair bar and vampire makeup station. There will also be vendor tables, a raffle, tasty treats, and other scary fun. Doors open at 7 p.m. The screening takes place at 8 p.m. Tickets cost $15, $12 for Hollywood members, $20 day of event. The event is BYOB.

48 Hour Film Horror Project Festival – Oaks Theater

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The Pittsburgh 48 Hour Film Horror Project challenged 19 teams to write, shoot, edit, and score their own horror shorts over the course of a single weekend. On October 28, the resulting films will premiere at the Oaks Theater and compete for a variety of awards. The event begins at 7:30 p.m. Tickets cost $10 and are available at the door.

Silents, Please! Nosferatu with the Andrew Alden Ensemble – Hollywood Theater

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On October 29, the chamber music group Andrew Alden Ensemble will provide live musical accompaniment to the 1922 silent film Nosferatu. Presented as part of Hollywood Theater‘s Silents, Please! series. German director F. W. Murnau‘s adaptation of Bram Stoker’s Dracula follows the blood-thirsty Count Orlok as he relocates from his castle in the Carpathian mountains to a small German town, where he feeds on the unsuspecting populace. Tickets cost $8-10.

Best Limited Releases Coming To Pittsburgh: September 2017 Edition

Person To Person – Harris Theater

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During a single day in New York City, a variety of characters grapple with the mundane, the unexpected, and the larger questions permeating their lives. An investigative reporter struggles with her first day on the job, despite help from her misguided boss; a rebellious teen attempts to balance her feminist ideals with other desires; and a young man seeks to reconcile with his ex-girlfriend, even as her brother threatens revenge. Meanwhile, an avid music lover traverses the city in search of a rare record for his vinyl collection. Stars Michael Cera and Abbi Jacobson (Broad City). Person To Person opens on September 1 at the Harris Theater.

Rumble – Hollywood Theater

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This revelatory, award-winning documentary brings to light the profound and overlooked influence of Indigenous people on popular music in North America. Focusing on music icons like Link Wray, Jimi Hendrix, Buffy Sainte-Marie, Taboo of The Black Eyed Peas, Charley Patton, Mildred Bailey, Jesse Ed Davis, Robbie Robertson, and Randy Castillo, Rumble: The Indians Who Rocked the World shows how these pioneering Native American musicians helped shape the soundtracks of our lives. Rumble opens on September 1 at the Hollywood Theater.

mother! – Manor Theatre

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In the latest film from Darren Aronofsky (The Wrestler, Black Swan), a couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. Starring Jennifer Lawrence, Michelle Pfeiffer, Javier Bardem, Domhnall Gleeson, and Ed Harrismother! opens on September 15 at the Manor Theatre.

Pittsburgh-Shot Thriller ‘The Final Interview’ Creeps Into Hollywood Theater

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The Final Interview

Last August, local horror filmmaker Fred Vogel started shooting his eighth feature film in Pittsburgh. On August 17, the Hollywood Theater will premiere the finished product, The Final Interview, a thriller about a desperate reporter and a killer.

Veteran TV journalist Oliver Ross (Grainger Hines) visits Western Penitentiary for a live broadcast. There he confronts Darius Tidman (Damien Maruscak), a death row inmate and infamous Pittsburgh murderer, hours before his execution. The face-to-face interview is a last-ditch effort for Ross to salvage his declining career. While he spars verbally with Tidman on air, behind the scenes he wrestles with his own personal demons as his ex-wife and show director Rhonda Cox (Diane Franklin) attempts to keep him on track and guide him through the broadcast. Oliver must push through a dark world of the murder and his own mind. 

The Final Interview screens at 8 p.m. followed by an encore presentation at 10:30 p.m. The event includes a Q&A with the cast and crew. Tickets to both shows cost $8-10.

Best Limited Releases Coming To Pittsburgh: July 2017 Edition

The Little Hours – Hollywood Theater

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Medieval nuns Alessandra (Alison Brie), Fernanda (Aubrey Plaza), and Ginevra (Kate Micucci) lead a simple life in their convent. Their days are spent chafing at monastic routine, spying on one another, and berating the estate’s day laborer. After a particularly vicious insult session drives the peasant away, Father Tommasso (John C. Reilly) brings on new hired hand Massetto (Dave Franco), a virile young servant forced into hiding by his angry lord. Introduced to the sisters as a deaf-mute to discourage temptation, Massetto struggles to maintain his cover as the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry. The Little Hours opens on August 4 at the Hollywood Theater.

The Lure – Harris Theater

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In Polish director Agnieszka Smoczynska‘s horror-musical mash-up, a pair of carnivorous mermaid sisters are drawn ashore in an alternate 1980s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. The Lure opens on August 6 at the Harris Theater.

Patti Cake$ – Manor Theatre

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In a coming-of-age story straight out of Jersey, an unlikely rapper finds her voice as a one-of-a-kind hip-hop legend in the making in the first feature film from acclaimed commercial and music-video director Geremy Jasper. Set in gritty strip-mall suburbia, the story chronicles an underdog’s quest for fame and glory with humor, raw energy and some unforgettable beats. Patti Cake$ opens on August 18 at the Manor Theatre.

Brigsby Bear – Hollywood Theater

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Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James (Kyle Mooney). A bright, sensitive young adult still living at home, he has grown up with this fantasy series, and the program has grown with him as well — getting more complex over the years. But to say James’ intensely protective parents have kept their son a bit sheltered is an understatement. When the show abruptly ends, James’s life changes forever. He sets out to finish the story himself and must learn to cope with the realities of a new world that he knows nothing about. Brigsby Bear opens on August 18 at the Hollywood Theater.