The Disaster Artist – Manor Theatre
With The Disaster Artist, James Franco transforms the tragicomic true-story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau—an artist whose passion was as sincere as his methods were questionable—into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds. Based on Greg Sestero’s best-selling tell-all about the making of Tommy’s cult-classic disasterpiece The Room, The Disaster Artist is a hilarious and welcome reminder that there is more than one way to become a legend—and no limit to what you can achieve when you have absolutely no idea what you’re doing. The Disaster Artist opens on December 1 at the Manor Theatre.
Thelma – Harris Theater
Thelma, a shy young student, has just left her religious family in a small town on the west coast of Norway to study at a university in Oslo. While at the library one day, she experiences a violent, unexpected seizure. Soon after, she finds herself intensely drawn toward Anja, a beautiful young student who reciprocates Thelma’s powerful attraction. As the semester continues, Thelma becomes increasingly overwhelmed by her intense feelings for Anja – feelings she doesn’t dare acknowledge, even to herself – while at the same time experiencing more extreme seizures. As it becomes clearer that the seizures are a symptom of inexplicable, often dangerous, supernatural abilities, Thelma is confronted with tragic secrets of her past, and the terrifying implications of her powers. Thelma screens from December 1-7 at the Harris Theater.
Wait for Your Laugh – Hollywood Theater
Rose Marie’s rise to fame began at the age of four with her own NBC radio show. As she grew, she went from the stages of Vaudeville to the bright lights of Vegas, to some of the most iconic television shows. But it’s not just credits like The Dick Van Dyke Show and Hollywood Squares that make her life so memorable. Characters like Al Capone, Bugsy Siegel, and Jerry Lewis all played a part in this woman’s story of fame, love, tragedy, and success. Her 90-year career is also the greatest untold story in show business. Wait for Your Laugh screens from December 1-7 at the Hollywood Theater.
Person To Person – Harris Theater
During a single day in New York City, a variety of characters grapple with the mundane, the unexpected, and the larger questions permeating their lives. An investigative reporter struggles with her first day on the job, despite help from her misguided boss; a rebellious teen attempts to balance her feminist ideals with other desires; and a young man seeks to reconcile with his ex-girlfriend, even as her brother threatens revenge. Meanwhile, an avid music lover traverses the city in search of a rare record for his vinyl collection. Stars Michael Cera and Abbi Jacobson (Broad City). Person To Person opens on September 1 at the Harris Theater.
Rumble – Hollywood Theater
This revelatory, award-winning documentary brings to light the profound and overlooked influence of Indigenous people on popular music in North America. Focusing on music icons like Link Wray, Jimi Hendrix, Buffy Sainte-Marie, Taboo of The Black Eyed Peas, Charley Patton, Mildred Bailey, Jesse Ed Davis, Robbie Robertson, and Randy Castillo, Rumble: The Indians Who Rocked the World shows how these pioneering Native American musicians helped shape the soundtracks of our lives. Rumble opens on September 1 at the Hollywood Theater.
mother! – Manor Theatre
In the latest film from Darren Aronofsky (The Wrestler, Black Swan), a couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. Starring Jennifer Lawrence, Michelle Pfeiffer, Javier Bardem, Domhnall Gleeson, and Ed Harris. mother! opens on September 15 at the Manor Theatre.
The Little Hours – Hollywood Theater
Medieval nuns Alessandra (Alison Brie), Fernanda (Aubrey Plaza), and Ginevra (Kate Micucci) lead a simple life in their convent. Their days are spent chafing at monastic routine, spying on one another, and berating the estate’s day laborer. After a particularly vicious insult session drives the peasant away, Father Tommasso (John C. Reilly) brings on new hired hand Massetto (Dave Franco), a virile young servant forced into hiding by his angry lord. Introduced to the sisters as a deaf-mute to discourage temptation, Massetto struggles to maintain his cover as the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry. The Little Hours opens on August 4 at the Hollywood Theater.
The Lure – Harris Theater
In Polish director Agnieszka Smoczynska‘s horror-musical mash-up, a pair of carnivorous mermaid sisters are drawn ashore in an alternate 1980s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. The Lure opens on August 6 at the Harris Theater.
Patti Cake$ – Manor Theatre
In a coming-of-age story straight out of Jersey, an unlikely rapper finds her voice as a one-of-a-kind hip-hop legend in the making in the first feature film from acclaimed commercial and music-video director Geremy Jasper. Set in gritty strip-mall suburbia, the story chronicles an underdog’s quest for fame and glory with humor, raw energy and some unforgettable beats. Patti Cake$ opens on August 18 at the Manor Theatre.
Brigsby Bear – Hollywood Theater
Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James (Kyle Mooney). A bright, sensitive young adult still living at home, he has grown up with this fantasy series, and the program has grown with him as well — getting more complex over the years. But to say James’ intensely protective parents have kept their son a bit sheltered is an understatement. When the show abruptly ends, James’s life changes forever. He sets out to finish the story himself and must learn to cope with the realities of a new world that he knows nothing about. Brigsby Bear opens on August 18 at the Hollywood Theater.
The Bad Batch – Hollywood Theater
The latest from filmmaker Ana Lily Amirpour (A Girl Walks Home Alone at Night) follows Arlen (Suki Waterhouse) after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Jason Momoa). With her life on the line, she makes her way to The Dream (Keanu Reeves). As she adjusts to life in ‘the bad batch‘ Arlen discovers that being good or bad mostly depends on who’s standing next to you. The Bad Batch opens on July 7 at the Hollywood Theater.
The Big Sick – Manor Theatre
Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, The Big Sick tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Zoe Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano), while dealing with the emotional tug-of-war between his family and his heart. The Big Sick opens July 7 at the Manor Theatre.
Manifesto – Harris Theater
The film from artist Julian Rosefeldt features actress Cate Blanchett playing 13 different roles – a housewife, a factory worker, a TV anchor – in vignettes about the words that have inspired art movements. Manifesto opens on July 7 at the Harris Theater.
Maudie – Manor Theatre
The reclusive Everett Lewis (Ethan Hawke) hires a fragile yet determined woman named Maudie (Sally Hawkins) to be his housekeeper. Maudie, bright-eyed but hunched with crippled hands, yearns to be independent, to live away from her protective family and she also yearns, passionately, to create art. Unexpectedly, Everett finds himself falling in love. Based on a true story, the film charts Everett’s efforts to protect himself from being hurt, Maudie’s deep and abiding love for this difficult man and her surprising rise to fame as a folk painter. Maudie opens on July 14 at the Manor Theatre.
Like Crazy – Hollywood Theater
Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she’s on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic. Director Paolo Virzì’s new film tells the story of the unpredictable and moving friendship that develops between the two women as they flee the mental institution in search of love and happiness in the open-air nuthouse – the world of sane people. Like Crazy opens on July 21 at the Hollywood Theater.
Neruda – Harris Theater
It’s 1948 and the Cold War has reached Chile. In congress, Senator Pablo Neruda accuses the government of betrayal and is swiftly impeached by President Videla. Police Prefect Óscar Peluchonneau is assigned to arrest the poet. Neruda tries to flee the country with his wife Delia del Carril, but they are forced into hiding. In the struggle with his nemesis Peluchonneau, Neruda sees an opportunity to reinvent himself. He plays with the Prefect, leaving clues designed to make their game of cat-and-mouse more dangerous, more intimate. In this story of persecution, Neruda recognizes his own heroic possibilities: a chance to become both a symbol for liberty and a literary legend. Neruda opens on February 3 at the Harris Theater.
Things to Come – Regent Square Theater
Director Mia Hansen-Løve’s fifth feature follows Nathalie (Isabelle Huppert), a philosophy teacher at a Parisian high school. She is deeply passionate about her job and enjoys passing on the pleasure of thinking to others. Married with two children, she divides her time between her family, former students and her eccentric mother, leading a life of personal and intellectual fulfillment. Unexpectedly, Nathalie’s husband announces he is leaving her for another woman. With a newfound freedom suddenly thrust upon her, Nathalie must reinvent herself and establish a new way of living. Things to Come opens on February 3 at Regent Square Theater.
Julieta – Manor Theatre
In the latest feature from filmmaker Pedro Almodóvar, Julieta lives in Madrid with her daughter Antía. They both suffer in silence over the loss of Xoan, Antía’s father and Julieta’s husband. But at times grief doesn’t bring people closer, it drives them apart. When Antía turns 18 she abandons her mother, without a word of explanation. Julieta looks for her in every possible way, but all she discovers is how little she knows of her daughter. Julieta opens on February 10 at the Manor Theatre.
I Am Not Your Negro – Harris Theater
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends—Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin’s death in 1987, he left behind only 30 completed pages of his manuscript. Now, in his incendiary new documentary, filmmaker Raoul Peck envisions the book Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of archival material. I Am Not Your Negro is a journey into black history that connects the Civil Rights movement to #BlackLivesMatter and questions black representation in Hollywood and beyond. I Am Not Your Negro opens on February 17 at the Harris Theater.
Toni Erdmann – Manor Theatre
Winfried doesn’t see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It’s an awkward move because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. Enter flashy “Toni Erdmann” – Winfried’s smooth-talking alter ego. Disguised in a tacky suit, wig and fake teeth, Toni barges into Ines’ professional life, claiming to be her CEO’s life coach. As Toni, Winfried is bolder and doesn’t hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all. Toni Erdmann opens on February 24 at the Manor Theatre.
Goodnight Brooklyn - The Story of Death By Audio – Hollywood Theater
The feature-length film brings viewers inside the last underground venue for music and art in Williamsburg, Brooklyn, a neighborhood once defined by its cultural contributions to the city of New York. It chronicles the origins, community-building, influence, and ultimate closure of one of Brooklyn’s best DIY venues, ironically at the hands of a former champion of their efforts. Goodnight Brooklyn - The Story of Death By Audio opens on January 6 at the Hollywood Theater.
Silence – Regent Square Theater
The latest feature from Martin Scorsese tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) — at a time when Christianity was outlawed and their presence forbidden. The celebrated director’s 28-year journey to bring Shusaku Endo’s 1966 acclaimed novel to life. Silence opens on January 13 at Harris Theater.
20th Century Women – Manor Theatre
Acclaimed filmmaker Mike Mills presents a richly multilayered celebration of the complexities of women, family, time, and the connections we search for our whole lives. Set in 1979 Santa Barbara, the film follows Dorothea Fields (Annette Bening), a determined single mother in her mid-50s who is raising her adolescent son, Jamie (newcomer Lucas Jade Zumann) at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women in Jamie’s upbringing — via Abbie (Greta Gerwig), a free-spirited punk artist living as a boarder in the Fields’ home, and Julie (Elle Fanning), a savvy and provocative teenage neighbor. 20th Century Women opens on January 20 at the Manor Theatre.
Elle – Harris Theater
When Michelle (Isabelle Huppert), the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving her 75-year-old sex kitten mother, her imprisoned mass murderer father, her spoiled and immature son, her ex-husband and her lover, all with the same icy equanimity. This is the approach she brings to the situation when it appears that her assailant is not finished with her. As the mysterious stalker hovers in the shadows of her life, taunting her, Michelle cooly stalks him back. What emerges between Michelle and her stalker is a kind of game, a game that soon spirals out of control. Elle opens on January 20 at the Regent Square Theater.
Paterson – Manor Theatre
Paterson (Adam Driver), a New Jersey bus driver, adheres to a simple routine: he drives his daily route, observing the city as it drifts across his windshield and overhearing fragments of conversation swirling around him. He writes poetry into a notebook. He walks his dog. He stops in a bar and drinks exactly one beer. He goes home to his wife, Laura (Golshifteh Farahani). By contrast, Laura’s world is ever changing. New dreams come to her almost daily, each a different and inspired project. The latest feature from Jim Jarmusch quietly observes the triumphs and defeats of daily life, along with the poetry evident in its smallest details. Paterson opens on January 27 at the Manor Theatre.
The Handmaiden – Regent Square Theater
Park Chan-wook (Oldboy, Lady Vengeance, Stoker) presents a gripping and sensual tale of two women – a young Japanese Lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, but is secretly plotting with a conman to defraud her of a large inheritance. Inspired by the novel Fingersmith by British author Sarah Waters, The Handmaiden borrows the most dynamic elements of its source material and combines it with Chan-wook’s singular vision to create an unforgettable viewing experience. The Handmaiden opens on December 9 at Regent Square Theater.
Tower – Harris Theater
On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 16 dead, three dozen wounded, and a shaken nation left trying to understand. Combining archival footage with rotoscopic animation in a dynamic, never-before-seen way, Tower reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others. Tower opens on December 9 at the Harris Theater.
Evolution – Harris Theater
Ten-year-old Nicolas (Max Brebant) lives in a remote seaside village populated only by boys his age and adult women. But when he makes a disturbing discovery beneath the ocean waves—a dead boy with a red starfish on his stomach—Nicolas begins to question everything about his existence. The new film from writer-director Lucile Hadzihalilovic is awash in the haunting, otherworldly images of a nightmare. Evolution opens on December 26 at the Harris Theater.
Christine – Regent Square Theater
Rebecca Hall stars in director Antonio Campos’ story of a woman who finds herself caught in the crosshairs of a spiraling personal life and career crisis. Christine, always the smartest person in the room at her local Sarasota, Florida news station, feels like she is destined for bigger things and is relentless in her pursuit of an on-air position in a larger market. As an aspiring newswoman with an eye for nuance and an interest in social justice, she finds herself constantly butting heads with her boss (Tracy Letts), who pushes for juicier stories that will drive up ratings. Plagued by self-doubt and a tumultuous home life, Christine’s diminishing hope begins to rise when an on-air co-worker (Michael C. Hall) initiates a friendship which ultimately becomes yet another unrequited love. Disillusioned as her world continues to close in on her, Christine takes a dark and surprising turn. Christine opens on November 4th at the Regent Square Theater.
Moonlight – Manor Theatre
Filmmaker Barry Jenkins delivers a groundbreaking exploration of masculinity through the tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love while grappling with his own sexuality. Moonlight opens on November 11th at the Manor Theatre.
Certain Women – Regent Square Theater
Kelly Reichardt (Wendy and Lucy, Meek’s Cutoff) directs a remarkable ensemble cast in this look at three women striving to forge their own paths amidst the wide-open plains of the American Northwest: a lawyer (Laura Dern) who finds herself contending with both office sexism and a hostage situation; a wife and mother (Michelle Williams) whose determination to build her dream home puts her at odds with the men in her life; and a young law student (Kristen Stewart) who forms an ambiguous bond with a lonely ranch hand (newcomer Lily Gladstone). As their stories intersect in subtle but powerful ways, a portrait emerges of flawed, but strong-willed individuals in the process of defining themselves. Certain Women opens on November 25th at the Regent Square Theater.
The Eagle Huntress – Harris Theater
Actress Daisy Ridley narrates the story of Aisholpan, a real-life role model on an epic journey in a far away world. Follow this 13-year-old nomadic Mongolian girl as she battles to become the first female to hunt with a Golden Eagle in 2,000 years of male-dominated history. The Eagle Huntress opens on November 25th at the Harris Theater.
The Pittsburgh Gay and Lesbian Film Society (PLGFS) celebrates the experiences of the LGBTQ community with the 31st annual Reel Q film festival. From October 6th through October 15th, the annual event screens 17 full-length films, among them documentaries, comedies and dramas, and three short programs, all from the US and around the world. The lineup will also feature Pittsburgh premieres, works from the 1990s, and parties. All screenings will take place at the Harris Theater. See a full schedule and details below:
Strike A Pose
In 1990, seven young male dancers – six gay, one straight – joined Madonna on her most controversial tour. On stage and in the iconic film Truth or Dare they showed the world how to express yourself. Now, 25 years later, they reveal the truth about life during and after the tour.
Reel Q will also kick off the festival with a Strike A Pose afterparty at Bricolage.
Writer/director Cheryl Dunye‘s 1996 debut depicts the struggles of a young, black lesbian (played by Dunye) who works as a video store clerk while trying to make a documentary about a black actress known for playing racist “mammy” roles in the 1930s. Considered the first feature ever directed by a black gay woman.
A lonely middle-aged man hires a young male escort to help him relive a road trip from his past in director Nick Corporon‘s feature debut.
Based on the play by Jonathan Harvey (who also adapted the screenplay), director Hettie Macdonald‘s 1996 British drama follows two teen boys who fall in love in a rough London suburb.
In 1971, Delphine, a 23-year-old farmer’s daughter, comes to Paris and dreams of running her own business, something unthinkable for a woman to do at this time. There she meets Carole, a 35-year-old Parisian woman actively involved with burgeoning feminist movement. When Delphine and Carole meet, their love affair turns their lives upside down.
Southwest of Salem: The Story of the San Antonio Four
After being wrongfully convicted of gang-raping two little girls during the Satanic Panic witch-hunt era of the 1980s and 90s, four Latina lesbians fight against mythology, homophobia, and prosecutorial fervor in their struggle for exoneration in this riveting true crime documentary.
Paris 05:59: Theo & Hugo
Two men spend the night together in the hospital after they have unprotected sex .
In Shaleece Haas‘s documentary, transgender teenager Bennett Wallace embarks on a journey to find his voice—as a musician, a friend, a son, and a man. As he navigates the ups and downs of young adulthood, he works to gain the love and support of his mother, who has deep misgivings about her child’s transition. Along the way, Bennett forges a powerful friendship with his idol, Joe Stevens, a celebrated transgender musician with his own demons to fight.
Burn, Burn, Burn
Following the death of their friend, Seph and Alex, two women in their late twenties, go on a road trip to spread his ashes.
A New York teacher is fired from a small Texas school for being gay and returns disguised as Bianca to wreak revenge on the town. Stars RuPaul’s Drag Race winner Bianca Del Rio.
Passions reignite and hidden secrets revealed when a graphic designer in Los Angeles (Lucas Near-Verbrugghe) reconnects with an ex-lover (Aaron Costa Ganis) he hasn’t seen or heard from in 15 years. Over the course of a weekend at a vacation house in the desert, they must determine whether or not they have a future together.
Trans Shorts program
The Trans Shorts program will showcase a variety of short films from the US, Canada and the UK. Selections include Closing, Dawn, Handsome & Majestic, Mezzo, Say U Will and Tear Jerker.
Women’s Shorts program
The Women’s Shorts program will showcase a variety of short films from all over the world. The selections include B, Charlotte, Dance Card, Little Doll, Spunkle and Tits on a Bull.
Men’s Shorts program
The Men’s Shorts program will showcase a variety of short films from around the globe. Selections include Alzheimer’s: A Love Story, Bittersweet, Crazy House, Folsom Street, The Glory Hole, Noam, Thanks for Dancing and The Weigh In.
Grieving the death of her partner, a heartbroken Oklahoma artist returns to her childhood home and exposes cracks in her family’s complacent suburban routine when she falls for her brother’s girlfriend. Directed by Maura Anderson.
A fresh take on the coming-of-age story, this surreal tale follows the artistically driven Oscar (Connor Jessup) hovering on the brink of adulthood. Struggling to find his place in the world after a rough childhood and haunted by images of a tragic incident, Oscar dreams of escaping his small town. After he meets a mysterious and attractive new co-worker, Oscar follows the guidance of his pet hamster Buffy (voiced by Isabella Rossellini) and faces his demons to find the life he wants.
Joey (Lola Kirke) is a young woman in search of direction in her small town. A visit to an army recruiting office appears to provide a path, but when she meets and falls in love with Rayna (Breeda Wool) that path diverges in ways that neither woman anticipates. Building on the award-winning short of the same name, director Deb Shoval crafts a clear-eyed love story, and an impressive feature film debut.
Women Who Kill
Morgan and Jean work well together as true crime podcasters because they didn’t work well, at all, as a couple. When Morgan strikes up a new relationship with the mysterious Simone, their shared interest turns into suspicion, paranoia and fear. Ingrid Jungermann’s whip-smart feature debut is an adept and wry comedy on modern romance’s hollow results, set in an LGBTQ Brooklyn.
Polish-German writer-director Piotr Lewandowski‘s coming-of-age story follows Jonathan (Jannis Niewöhner), a German teen who discovers his dying father’s sexuality while working on a remote farm.
It’s 2006, YouTube is in its infancy, and internet porn is still behind a paywall. Taking the stage name Brent Corrigan, a fresh-faced, wannabe adult video performer (Garrett Clayton) is molded into a star by Stephen (Christian Slater), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for more money put him at odds with his boss, he also attracts the attention of a rival producer (James Franco) and his unstable lover (Keegan Allen) who will stop at nothing to squash Cobra Video and steal its number one star. Based on a stranger-than-fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. Co-starring Alicia Silverstone and Molly Ringwald.
To close the festival, Reel Q will host a King Cobra afterparty at Pierce Studio in the lower level of the Harris Theater.
Admission for both the opening and closing afterparties is $15 for the entire evening, $10 with student ID. Both parties are included with the Diva and Festival passes. All tickets are available for purchase online at Showclix.
On September 24th, Pittsburgh will participate in the first annual Art House Theater Day, a nationwide event recognizing the important role independent theaters play in bringing the arts and culture to their communities, with screenings at the Hollywood Theater, Row House Cinema, Regent Square Theater and the Harris Theater. See film details and showtimes below:
Time Bandits (1981) – Row House Cinema and Regent Square Theater
Director Terry Gilliam‘s dark, yet fanciful fantasy tale follows a young boy as he embarks on an epic journey through time with a band of dwarves who’ve stolen a magical map. The cult favorite stars John Cleese and Michael Palin of Monty Python, Sean Connery, Shelley Duvall and many others. Time Bandits will screen at 12 p.m. at Row House Cinema and at 8 p.m. at Regent Square Theater.
A Town Called Panic (2009) – Hollywood Theater
In this Belgian stop-motion animated feature, plastic toys like Cowboy, Indian and Horse have problems too. Cowboy and Indian’s plan to surprise Horse with a homemade birthday gift backfires when they destroy his house instead. Surreal adventures ensue as the trio travel to the center of the Earth, trek across frozen tundra and discover a parallel underwater universe where pointy-headed (and dishonest!) creatures live. With panic a permanent feature of life in this papier mâché town, will Horse and his girlfriend ever be alone? A Town Called Panic will screen at 1 p.m. at the Hollywood Theater. Tickets cost $5 and are available for purchase at Showclix or at the door.
Danny Says (2016) – Harris Theater
Since 1966, Danny Fields has played a pivotal role in music and culture of the late 20th century: working for the Doors, Cream, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like the Stooges, the MC5 and the Ramones. The documentary follows the life and time of Fields from his days as a Phi Beta Kappa whiz-kid, to Harvard Law dropout, to the Warhol Silver Factory, to Director of Publicity at Elektra Records, to punk pioneer and beyond. Danny Says will screen at 8 p.m. at the Harris Theater.
Phantasm (1979) – Hollywood Theater
Newly restored by J.J. Abrams and his company Bad Robot Productions, this imaginative creeper from filmmaker Don Coscarelli pits a young boy against the mysterious Tall Man, an undertaker who enslaves reanimated corpses. The film defies genre conventions with its dreamy, surreal style and bizarre take on the battle between good and evil. Phantasm will screen at 10 p.m. at the Hollywood Theater. Doors open at 9 p.m. The event includes vintage 35mm film trailers, special Phantasm merchandise and a live stream with Coscarelli. Tickets cost $10 and are available for purchase at Showclix.