Early Man – Row House Cinema
Set at the dawn of time, when prehistoric creatures roamed the Earth, the latest stop-motion animated feature from Nick Park tells the story of courageous caveman hero Dug (Eddie Redmayne) and his best friend, Hognob, as they unite their tribe against a mighty enemy — Lord Nooth (Tom Hiddleston) and his Bronze Age City — to save their home. Early Man opens on June 8 at Row House Cinema. The film is part of Row House’s New Animated Films week.
Hereditary – Manor Theatre
When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. The horrific feature debut from writer-director Ari Aster stars Toni Collette, Alex Wolff, and Milly Shapiro, with Ann Dowd and Gabriel Byrne. Hereditary opens on June 8 at the Manor Theatre.
Oh Lucy! – Harris Theater
Setsuko (Shinobu Terajima), a single, emotionally unfulfilled woman, is seemingly stuck with a drab, meaningless life in Tokyo. At least until she’s convinced by her niece, Mika (Shioli Kutsuna), to enroll in an unorthodox English class that requires her to wear a blonde wig and take on an American alter ego named Lucy. The new identity awakens something dormant in Setsuko, and she quickly develops romantic feelings for her American instructor, John (Josh Hartnett). When John suddenly disappears from class, Setsuko travels halfway around the world in search of him, and in the outskirts of Southern California, family ties and past lives are tested as she struggles to preserve the dream and promise of Lucy. Oh Lucy! opens on June 15 at the Harris Theater.
Zama – Harris Theater
Zama, an officer of the Spanish Crown born in South America, waits for a letter from the King granting him a transfer from the town in which he is stagnating, to a better place. His situation is delicate. He must ensure that nothing overshadows his transfer. He is forced to accept submissively every task entrusted to him by successive Governors who come and go as he stays behind. The years go by and the letter from the King never arrives. When Zama notices everything is lost, he joins a party of soldiers that go after a dangerous bandit. Zama opens on May 4 at the Harris Theater.
Ismael’s Ghosts – Regent Square Theater
Twenty-one years ago, she ran away. And twenty-one years later, Carlotta (Marion Cotillard) is back from the void. But Ismael (Mathieu Amalric) has been busy rebuilding a life for himself with Sylvia (Charlotte Gainsbourg) and working on his next feature film. As Ismael’s trials and tribulations unfurl, so too do those of his film’s protagonist: the idle, funny and reckless diplomat Ivan Dédalus (Louis Garrel). Written and directed by Arnaud Desplechin. Ismael’s Ghosts opens on May 4 at the Regent Square Theater.
The Road Movie – Row House Cinema
A mosaic of asphalt adventures, landscape photography, and some of the craziest shit you’ve ever seen, Dmitrii Kalashnikov’s The Road Movie is a stunning compilation of video footage shot exclusively via the deluge of dashboard cameras that populate Russian roads. The epitome of a you-have- to-see- it-to- believe-it documentary, it captures a wide range of spectacles through the windshield—including a comet crashing down to Earth, an epic forest fire, and no shortage of angry motorists taking road rage to wholly new and unexpected levels—all accompanied by bemused commentary from unseen and often stoic drivers and passengers. The Road Movie opens on May 11 at the Row House Cinema. This film is showing as part of Row House’s New Documentary Film Showcase.
Disobedience – Manor Theatre
From a screenplay by Sebastián Lelio and Rebecca Lenkiewicz, and based on Naomi Alderman’s book, the film follows a woman (Rachel Weisz) as she returns to the community that shunned her decades earlier for an attraction to a childhood friend (Rachel McAdams). Once back, their passions reignite as they explore the boundaries of faith and sexuality. Disobedience opens on May 18 at the Manor Theatre.
Django – Regent Square Theater
Django Reinhardt, as portrayed by Reda Kateb (A Prophet, Zero Dark Thirty), is the toast of 1943 Paris, thrilling audiences with his distinctive brand of “hot jazz” and charming his admirers and his muse (Cécile de France). But even as the rise of Nazism forces Reinhardt — whose music is considered degenerate under the Third Reich — to make a daring escape from Paris, he refuses to be silenced as his music becomes a form of protest. Django opens on April 6 at the Regent Square Theater.
Have a Nice Day – Harris Theater
A hard rain is about to fall on a small town in Southern China. In a desperate attempt to find money to save his fiancée’s failed plastic surgery, Xiao Zhang, a mere driver, steals a bag containing $1 million from his boss. News of the robbery spreads fast within the town and, over the course of one night, everyone starts looking for Xiao Zhang and his money. Liu Jian delivers a whirlwind neo-noir, cementing his place as a pioneering force in independent Chinese animation. Have a Nice Day open on April 6 at the Harris Theater.
Foxtrot – Manor Theatre
Michael and Dafna experience gut-wrenching grief when army officials show up at their home to announce the death of their son Jonathan. Michael becomes increasingly frustrated by overzealous mourning relatives and well-meaning army bureaucrats. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life’s unfathomable twists – a twist that can only be rivaled by the surreal military experiences of his son. Foxtrot opens on April 20 at the Manor Theatre.
A Fantastic Woman – Regent Square Theater
Marina (Daniela Vega in a standout performance), a young aspiring singer and trans woman, and her older lover Orlando are planning for the future. When Orlando suddenly passes away, his family treats Marina with suspicion and threaten to throw her out of the flat she shared with Orlando. To them, her sexual identity is an aberration, a perversion. So Marina struggles for the right to be herself. She battles the very same forces that she has spent a lifetime fighting just to be the woman she is now. A Fantastic Woman opens on March 9 at the Regent Square Theater.
The Cured – Harris Theater
What happens when the undead return to life? In a world ravaged for years by a virus that turns the infected into zombie-like cannibals, a cure is at last found and the wrenching process of reintegrating the survivors back into society begins. Among the formerly afflicted is Senan (Sam Keeley), a young man haunted by the horrific acts he committed while infected. Welcomed back into the family of his widowed sister-in-law (Ellen Page), Senan attempts to restart his life—but is society ready to forgive him and those like him? Or will fear and prejudice once again tear the world apart? The Cured opens on March 9 at the Harris Theater.
Loveless – Manor Theatre
Zhenya and Boris are going through a vicious divorce marked by resentment, frustration, and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alexey. Until, after witnessing one of their fights, Alexey disappears. Loveless opens on March 30 at the Manor Theatre.
The Disaster Artist – Manor Theatre
With The Disaster Artist, James Franco transforms the tragicomic true-story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau—an artist whose passion was as sincere as his methods were questionable—into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds. Based on Greg Sestero’s best-selling tell-all about the making of Tommy’s cult-classic disasterpiece The Room, The Disaster Artist is a hilarious and welcome reminder that there is more than one way to become a legend—and no limit to what you can achieve when you have absolutely no idea what you’re doing. The Disaster Artist opens on December 1 at the Manor Theatre.
Thelma – Harris Theater
Thelma, a shy young student, has just left her religious family in a small town on the west coast of Norway to study at a university in Oslo. While at the library one day, she experiences a violent, unexpected seizure. Soon after, she finds herself intensely drawn toward Anja, a beautiful young student who reciprocates Thelma’s powerful attraction. As the semester continues, Thelma becomes increasingly overwhelmed by her intense feelings for Anja – feelings she doesn’t dare acknowledge, even to herself – while at the same time experiencing more extreme seizures. As it becomes clearer that the seizures are a symptom of inexplicable, often dangerous, supernatural abilities, Thelma is confronted with tragic secrets of her past, and the terrifying implications of her powers. Thelma screens from December 1-7 at the Harris Theater.
Wait for Your Laugh – Hollywood Theater
Rose Marie’s rise to fame began at the age of four with her own NBC radio show. As she grew, she went from the stages of Vaudeville to the bright lights of Vegas, to some of the most iconic television shows. But it’s not just credits like The Dick Van Dyke Show and Hollywood Squares that make her life so memorable. Characters like Al Capone, Bugsy Siegel, and Jerry Lewis all played a part in this woman’s story of fame, love, tragedy, and success. Her 90-year career is also the greatest untold story in show business. Wait for Your Laugh screens from December 1-7 at the Hollywood Theater.
Person To Person – Harris Theater
During a single day in New York City, a variety of characters grapple with the mundane, the unexpected, and the larger questions permeating their lives. An investigative reporter struggles with her first day on the job, despite help from her misguided boss; a rebellious teen attempts to balance her feminist ideals with other desires; and a young man seeks to reconcile with his ex-girlfriend, even as her brother threatens revenge. Meanwhile, an avid music lover traverses the city in search of a rare record for his vinyl collection. Stars Michael Cera and Abbi Jacobson (Broad City). Person To Person opens on September 1 at the Harris Theater.
Rumble – Hollywood Theater
This revelatory, award-winning documentary brings to light the profound and overlooked influence of Indigenous people on popular music in North America. Focusing on music icons like Link Wray, Jimi Hendrix, Buffy Sainte-Marie, Taboo of The Black Eyed Peas, Charley Patton, Mildred Bailey, Jesse Ed Davis, Robbie Robertson, and Randy Castillo, Rumble: The Indians Who Rocked the World shows how these pioneering Native American musicians helped shape the soundtracks of our lives. Rumble opens on September 1 at the Hollywood Theater.
mother! – Manor Theatre
In the latest film from Darren Aronofsky (The Wrestler, Black Swan), a couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. Starring Jennifer Lawrence, Michelle Pfeiffer, Javier Bardem, Domhnall Gleeson, and Ed Harris. mother! opens on September 15 at the Manor Theatre.
The Little Hours – Hollywood Theater
Medieval nuns Alessandra (Alison Brie), Fernanda (Aubrey Plaza), and Ginevra (Kate Micucci) lead a simple life in their convent. Their days are spent chafing at monastic routine, spying on one another, and berating the estate’s day laborer. After a particularly vicious insult session drives the peasant away, Father Tommasso (John C. Reilly) brings on new hired hand Massetto (Dave Franco), a virile young servant forced into hiding by his angry lord. Introduced to the sisters as a deaf-mute to discourage temptation, Massetto struggles to maintain his cover as the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry. The Little Hours opens on August 4 at the Hollywood Theater.
The Lure – Harris Theater
In Polish director Agnieszka Smoczynska‘s horror-musical mash-up, a pair of carnivorous mermaid sisters are drawn ashore in an alternate 1980s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. The Lure opens on August 6 at the Harris Theater.
Patti Cake$ – Manor Theatre
In a coming-of-age story straight out of Jersey, an unlikely rapper finds her voice as a one-of-a-kind hip-hop legend in the making in the first feature film from acclaimed commercial and music-video director Geremy Jasper. Set in gritty strip-mall suburbia, the story chronicles an underdog’s quest for fame and glory with humor, raw energy and some unforgettable beats. Patti Cake$ opens on August 18 at the Manor Theatre.
Brigsby Bear – Hollywood Theater
Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James (Kyle Mooney). A bright, sensitive young adult still living at home, he has grown up with this fantasy series, and the program has grown with him as well — getting more complex over the years. But to say James’ intensely protective parents have kept their son a bit sheltered is an understatement. When the show abruptly ends, James’s life changes forever. He sets out to finish the story himself and must learn to cope with the realities of a new world that he knows nothing about. Brigsby Bear opens on August 18 at the Hollywood Theater.
The Bad Batch – Hollywood Theater
The latest from filmmaker Ana Lily Amirpour (A Girl Walks Home Alone at Night) follows Arlen (Suki Waterhouse) after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Jason Momoa). With her life on the line, she makes her way to The Dream (Keanu Reeves). As she adjusts to life in ‘the bad batch‘ Arlen discovers that being good or bad mostly depends on who’s standing next to you. The Bad Batch opens on July 7 at the Hollywood Theater.
The Big Sick – Manor Theatre
Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, The Big Sick tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Zoe Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano), while dealing with the emotional tug-of-war between his family and his heart. The Big Sick opens July 7 at the Manor Theatre.
Manifesto – Harris Theater
The film from artist Julian Rosefeldt features actress Cate Blanchett playing 13 different roles – a housewife, a factory worker, a TV anchor – in vignettes about the words that have inspired art movements. Manifesto opens on July 7 at the Harris Theater.
Maudie – Manor Theatre
The reclusive Everett Lewis (Ethan Hawke) hires a fragile yet determined woman named Maudie (Sally Hawkins) to be his housekeeper. Maudie, bright-eyed but hunched with crippled hands, yearns to be independent, to live away from her protective family and she also yearns, passionately, to create art. Unexpectedly, Everett finds himself falling in love. Based on a true story, the film charts Everett’s efforts to protect himself from being hurt, Maudie’s deep and abiding love for this difficult man and her surprising rise to fame as a folk painter. Maudie opens on July 14 at the Manor Theatre.
Like Crazy – Hollywood Theater
Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she’s on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic. Director Paolo Virzì’s new film tells the story of the unpredictable and moving friendship that develops between the two women as they flee the mental institution in search of love and happiness in the open-air nuthouse – the world of sane people. Like Crazy opens on July 21 at the Hollywood Theater.
Neruda – Harris Theater
It’s 1948 and the Cold War has reached Chile. In congress, Senator Pablo Neruda accuses the government of betrayal and is swiftly impeached by President Videla. Police Prefect Óscar Peluchonneau is assigned to arrest the poet. Neruda tries to flee the country with his wife Delia del Carril, but they are forced into hiding. In the struggle with his nemesis Peluchonneau, Neruda sees an opportunity to reinvent himself. He plays with the Prefect, leaving clues designed to make their game of cat-and-mouse more dangerous, more intimate. In this story of persecution, Neruda recognizes his own heroic possibilities: a chance to become both a symbol for liberty and a literary legend. Neruda opens on February 3 at the Harris Theater.
Things to Come – Regent Square Theater
Director Mia Hansen-Løve’s fifth feature follows Nathalie (Isabelle Huppert), a philosophy teacher at a Parisian high school. She is deeply passionate about her job and enjoys passing on the pleasure of thinking to others. Married with two children, she divides her time between her family, former students and her eccentric mother, leading a life of personal and intellectual fulfillment. Unexpectedly, Nathalie’s husband announces he is leaving her for another woman. With a newfound freedom suddenly thrust upon her, Nathalie must reinvent herself and establish a new way of living. Things to Come opens on February 3 at Regent Square Theater.
Julieta – Manor Theatre
In the latest feature from filmmaker Pedro Almodóvar, Julieta lives in Madrid with her daughter Antía. They both suffer in silence over the loss of Xoan, Antía’s father and Julieta’s husband. But at times grief doesn’t bring people closer, it drives them apart. When Antía turns 18 she abandons her mother, without a word of explanation. Julieta looks for her in every possible way, but all she discovers is how little she knows of her daughter. Julieta opens on February 10 at the Manor Theatre.
I Am Not Your Negro – Harris Theater
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends—Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin’s death in 1987, he left behind only 30 completed pages of his manuscript. Now, in his incendiary new documentary, filmmaker Raoul Peck envisions the book Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of archival material. I Am Not Your Negro is a journey into black history that connects the Civil Rights movement to #BlackLivesMatter and questions black representation in Hollywood and beyond. I Am Not Your Negro opens on February 17 at the Harris Theater.
Toni Erdmann – Manor Theatre
Winfried doesn’t see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It’s an awkward move because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. Enter flashy “Toni Erdmann” – Winfried’s smooth-talking alter ego. Disguised in a tacky suit, wig and fake teeth, Toni barges into Ines’ professional life, claiming to be her CEO’s life coach. As Toni, Winfried is bolder and doesn’t hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all. Toni Erdmann opens on February 24 at the Manor Theatre.
Goodnight Brooklyn - The Story of Death By Audio – Hollywood Theater
The feature-length film brings viewers inside the last underground venue for music and art in Williamsburg, Brooklyn, a neighborhood once defined by its cultural contributions to the city of New York. It chronicles the origins, community-building, influence, and ultimate closure of one of Brooklyn’s best DIY venues, ironically at the hands of a former champion of their efforts. Goodnight Brooklyn - The Story of Death By Audio opens on January 6 at the Hollywood Theater.
Silence – Regent Square Theater
The latest feature from Martin Scorsese tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) — at a time when Christianity was outlawed and their presence forbidden. The celebrated director’s 28-year journey to bring Shusaku Endo’s 1966 acclaimed novel to life. Silence opens on January 13 at Harris Theater.
20th Century Women – Manor Theatre
Acclaimed filmmaker Mike Mills presents a richly multilayered celebration of the complexities of women, family, time, and the connections we search for our whole lives. Set in 1979 Santa Barbara, the film follows Dorothea Fields (Annette Bening), a determined single mother in her mid-50s who is raising her adolescent son, Jamie (newcomer Lucas Jade Zumann) at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women in Jamie’s upbringing — via Abbie (Greta Gerwig), a free-spirited punk artist living as a boarder in the Fields’ home, and Julie (Elle Fanning), a savvy and provocative teenage neighbor. 20th Century Women opens on January 20 at the Manor Theatre.
Elle – Harris Theater
When Michelle (Isabelle Huppert), the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving her 75-year-old sex kitten mother, her imprisoned mass murderer father, her spoiled and immature son, her ex-husband and her lover, all with the same icy equanimity. This is the approach she brings to the situation when it appears that her assailant is not finished with her. As the mysterious stalker hovers in the shadows of her life, taunting her, Michelle cooly stalks him back. What emerges between Michelle and her stalker is a kind of game, a game that soon spirals out of control. Elle opens on January 20 at the Regent Square Theater.
Paterson – Manor Theatre
Paterson (Adam Driver), a New Jersey bus driver, adheres to a simple routine: he drives his daily route, observing the city as it drifts across his windshield and overhearing fragments of conversation swirling around him. He writes poetry into a notebook. He walks his dog. He stops in a bar and drinks exactly one beer. He goes home to his wife, Laura (Golshifteh Farahani). By contrast, Laura’s world is ever changing. New dreams come to her almost daily, each a different and inspired project. The latest feature from Jim Jarmusch quietly observes the triumphs and defeats of daily life, along with the poetry evident in its smallest details. Paterson opens on January 27 at the Manor Theatre.